Little Rock, Arkansas
September 4, 1998Review by GJ Hemingway
Nashville - September 1998
Review by Lucy Piller
Caruthersville,
Missouri - Aug 1, 1998
Review by Tim Arnold
I wanted to see Paul because I wanted to try not to miss some of the great classic rock
acts coming through this summer like I did last year. Only problem was that one of the
closer venues to where I live was 9 hours away in Caruthersville, Mo. at the Aztar Casino.
I had been communicating with another fan, Don Walters, and decided to make the drive and
pick him up on the way.
We arrived about 4:00 for the 6:45 show. We sat around the casino for a couple of hours
talkin classic rock and waiting for the gates to open. We were also wondering if any would
show up in this little Missouri town of around 7,000. Well 6:00 rolled around and so did
the crowd. We already had our tickets so we got right in and made our way to the front. We
were one of the first in so we we able to sit in the second row back. What great seats! I
was starting to sense that this would be a great night.
Tension was starting to build a few minutes before show time. Don was aquainted with
Paul's road manager and walked up to chat with him for a minute. He told Don that the band
had been on a grueling schedule and they had been sleeping in the van on the way to the
concert. I thought that Paul and Co. would be drained and any enthusiasm for performing
would be gone. Man was I wrong! They announced Paul and out he came and blasted out All
Right Now.
He then told the crowd to come up around the stage. I thought I am too old for this but
grabbed my wife and up we went. We were within arms reach of Paul. He was smiling as he
belted out one Bad Co. song after another. It was as if he was singing those tunes for the
first time and it really made the crowd feel that he was enjoying performing them as much
as we were enjoying hearing them.
One incident stands out. An overzealous security guard was trying to push the crowd
back away from the stage. Paul saw this and stopped singing and got down at the edge of
the stage and told him to get the heck out of the way and let the crowd up to the stage.
He was obviously angry and had his fans in mind. He really wanted to create some intimacy
by having the crowd within a few feet of him. What a great gesture on his part.
I highly recommend any fan of Paul's to make every effort to see him as he is as strong
and soulful as ever.
Tim Arnold
Branson,
Missouri - July 23, 1998
Review and photos by Donald Walters
I went to the
Branson show last night, probably 250 people there. Paul was in geat form and really put
on a good concert. The sound system lacked good quality in that the vocals seemed just a
touch muddled. Kinda like listening to analog tape after hearing the same track on CD. But
it still kicked.
A large group of people danced and rocked in front of the stage. One guy jumped on
stage and picked up a fallen drumstick. Then took a dive off the stage. It was great fun!
The songs are as follows, to the best of my recollection:
all right now
honey child
youngblood
saving grace
feel like makin love
shooting star
movin on
rock n roll fantasy
seagull
run with the pack
bad company
too bad
encore: can't get eough of your love.
Seattle - June 18, 1998
Review by Lucy Piller
Ohio - June 1998
Review by Greg
Chicago
- June 1998
Review by Jack Jalove
Hi,
Saw PR give one helluva dynamite and entertaining show last night along Chicago
Illinois USofA's downtown lakefront. Longtime BadCo fan but never saw the band live. I was
there to see a "Joe Walsh with special guest" show. Didn't know PR was the
"spec guest" til 15 minutes before showtime when some DJ from the sponsoring
radio station announced it. Four piece band--PR/guitar/bass/drums--but that doesn't EVEN
begin to describe the band. They rocked heavily, to say the least! By halfway thru the
opening song, AllRight Now, PR "had 'em in the palm of his hand". Most everyone
was singing and clapping right along with old Paul--and he was loving it, too--smiling and
laughing. PLUS remember, no one even knew he was on the showbill til just before the
show's start. That's mighty impressive to me. Highlights were Seagull (outdoor show in a
large treeline bordered meadow, balmy summer evening, puffy white clouds AND.....actual
seagulls from nearby Lake Michigan floating overhead on currents of air as PR sang--QUITE
remarklable); a new song, Soul Of Love (I think that's the name); and Bad Company, the
song. For it, roadies carried an electric piano onstage--center stage, facing front, and
PR did a wonderfully jazzy--both hands dancing along the keys--solo towards the end. Great
interplay among all band members, too. The guitarist (Randy Hansen?) had all his chops
(and "rock poses") down! Drummer and bassist laid down a backbeat foundation
that would have supported the weight of the earth, itself. Wow. What a show. 30 minutes of
pure--and unexpected--delight. Wish it coulda lasted longer. Got up this morning and HAD
to do an Internet search on "Paul Rodgers" so I could tell somebody the story!
<wink> (By the way, Joe Walsh was great, too!) <grin>
Well thanks for listening.
Jack
Seattle -
February 1998
Hello everyone,
My name is Chip Hart and I am the drummer for the Fat James Band out of Seattle
Washington. We had the honor of playing two shows with Paul Rodgers on the 27 Feb. at the
Mount Baker Theater which is a 1400-seat old theater in Bellingham Wa. and at Parkers in
Seattle. It all came about when Paul somehow heard a 3-song demo tape of the Fat James
Band. Our management got work tapes of his material and we all put our nose to the
grindstone and went to work. We scheduled two rehearsals with Paul at a recording studio
in Bellingham Wa. Needless to say, when I first heard his voice come out of the PA, it hit
me that I was actually playing with one of rock and roll's ledgendary voices. Paul was a
complete gentleman, very polite and the rehearsals went smoothly.
The day of the show, we had a sound check at 2:00 and tried to dial in the PA at the
theater and also smooth up some rough edges on the show. The actual show is kind of a
blurr now. The place was packed with a very noisy enthusiastic audience, to say the least.
We opened up the show with our original material and then brought Paul on. What a thrill!!
Our next show was the following Sunday at a club called Parkers in Seattle. We were
playing a show in Boise, Idaho ( Fat James ) the night before so logistically it was a bit
trying. We ended up flying back to Seattle for a 2:00 sound check and sent our gear home
the night before with our manager. Paul seemed a bit more relaxed for this show. The sound
was a lot better and we had already seen action, so to speak. A local band called Reckless
Ricky opened the show and then we took our places. The show was sold out and they were
turning people away from what I heard. The place was filled with excitement. My biggest
concern was making sure the tempos didn't get away from us which can happen easily in a
charged environment like that one. Paul really made the night into a rock event. I'm still
buzzing from the experience. For those lucky people that were able to attend, they know
what I am talking about.
So that is my story. Please feel free to email me and I also would like you to become
familiar with The Fat James Band. We are headed to Europe in May to play the Moulon Blues
Festival in Ospel, Belgium. We have one live CD which is doing well and also we are in
production for our 1st national release. So here is the link to Fat James Band.
I hope to see you at one of our shows.
Chip
Bellingham
WA - February 1998
Review by Karim Makalai
The show was at the Mount Baker Theatre, which is in downtown Bellingham, WA. The
theatre is beautifully refurbished. The sightlines and acoustics were excellent. I was
seated in the 9th row. I'm not sure of the capacity, but it was packed! I missed the
warm-up act, the Fat James Band. Paul's performance started at 9.45pm.
Paul didn't have his usual band. Instead, he played with The Fat James Band. It
included a drummer, bassist, lead guitar player and keyboard player. There was also a
grand piano on the stage, which Paul used for a couple of numbers. He commented that he
loved playing "a real piano". Paul's voice sounded fabulous. No matter how many
times I hear his music, it always sounds fresh and different because of how he improvises.
The lead guitar had too much distortion, and sounded very screechy on some numbers. As
well, the guitarist missed the starting chord on "All Right Now". Obviously,
with some more sound checks, rehearsal and familiarity this will improve. The highlight of
the night (for me) was hearing Paul sing a couple of songs accompanied just by his
acoustic guitar. Most of the material in the show was from his Bad Co days. I wish he had
done some more from the Free days. Still, the audience really seemed to get off on the Bad
Co songs.
Here's the songlist:
- Live for the Music
- Honey child
- Rock Steady
- Ready for Love
- Youngblood
- Rock 'n' Roll Fantasy
- Run with the Pack (Paul on piano)
- Bad Company (Paul on piano)
- Seagull (Solo performance with acoustic guitar - heavenly!!)
- All I want is You (Solo performance with acoustic guitar - indescribable!!!!)
- Shooting Star
- Saving Grace
- Movin' On
- Feel Like Makin' Love
- The Hunter
Encore 1:
- Soul of Love
- Can't Get Enough
Encore 2:
- All Right Now
Well, that's the story. Can't wait for the next show!!!
Vancouver
- 17 January 1998
Review by Karim Makalai
It was incredible!!!
The show was at Jaguar's in Vancouver. The club holds about 500 people, though I have a
feeling that the capacity was exceeded on Saturday. Paul performed at the club on Friday
16th Jan, and Sat 17th Jan. Both shows were sold out.
The band was not his usual group. I'm not sure if they were local, but they were very
good. There were two chaps on guitar, a bass player and a drummer, and of course, Paul.
The lead guitarist played a "blues minimalist" style ala Paul Kossoff, but he
really cooked during the solos. They played two forty five minute sets, mostly Bad Co
material. (I wish they had done more Free, they really sounded good.) Paul's voice was in
vintage form, and you could tell that he really enjoyed the intimate setting of the club.
The first set started at 10.30pm, and featured the following songs:
- Rock Steady - Honey Child - Live for the Music - Ready for Love - Run with the Pack
(Paul played electric piano) - Youngblood - The Hunter - Sweet Li'l Sister
The second set started at midnight:
- Rock 'n' Roll Fantasy - Soul of Love - Happy birthday (to some called Stink, I
think!) - Shooting Star - Movin' On - Feel Like Makin' Love - The Stealer - Saving Grace -
Fire and Water - Can't Get Enough
Encore 1:
- Bad Company (Paul played electric piano) - Good Lovin' Gone Bad - All Right Now
Encore 2:
- A blues number I've heard before, but can't remember the title. Words are something
like "Baby, you're nothin' like you used to be".
Paul left the club immediately after the show, approx 1.30am.
A couple more notes:
Paul sang with his eyes closed, mostly. His energy level was unbelievable. The way he
belted out some of those songs was a joy to behold.
ROCK
& ROLL FANTASY
Jack Monninger Jr. meets Paul Rodgers
The
night of Saturday, October 4, 1997 I will remember as a true rock and roll fantasy. A few
weeks prior to this time, while surfing the Internet and checking out tour dates on Paul
Rodgers' official website, I learned that the former Free/Bad Company/ Firm frontman and
his band would be headlining at a club called Annie's in Cincinnati. Just two months prior
to this, I'd seen Paul Rodgers open for Lynyrd Skynyrd at Deer Creek Music Center, a large
outdoor music venue located just outside of Indianapolis. Having been so impressed by
Paul's live performance there, I vowed that I would take advantage of any reasonable
opportunity to see the man perform again. After learning of the Cincinnati club date, I
decided this was the perfect opportunity - it was close to home and yet far enough away to
make it a special weekend getaway for my wife and me. A quick call to Ticketmaster was all
it took to set the wheels in motion.
The weekend of the 4th arrived, and we spent that Friday evening at a little family
retreat down in Vevay, Indiana, a small town nestled along the Ohio River in a beautifully
hilly part of the state. The location was perfect for we were only an hour away from our
destination. The next evening, we arrived in Cincinnati slightly before 7:00 p.m. and
managed to locate the club easier than expected. Our arrival strategy had been simple, to
arrive early enough as to allow us ample time to beat any long lines or capacity crowds.
If we were worried about a large turn out, we needn't have been! Arriving over a full hour
before the doors were even to open, we were amazed by the fact that there was not one
single person in the parking lot! For all intents and purposes, minus a car here or there,
the parking lot was nearly empty! I did take notice of a large tour bus that was pulled up
against the side of the building, and quickly surmised that this surely must be the road
vehicle for Paul Rodgers, his band, and crew. With the realization that long lines were
not going to be a problem this particular evening, we contemplated getting a quick bite to
eat and returning before the doors were scheduled to open. As I prepared to start the car
and pull away, just out of the corner of my eye, I caught a glimpse of two men walking
from the blind side of the tour bus out into the parking lot. As the two men stopped to
face each other and engage in conversation, I looked over and was struck by an immediate
realization. Holy snikes, there was Paul Rodgers in the flesh, chatting amicably with a
crew member no more than 30 feet from my car! I excitedly shouted to my wife, "It's
him! Quick, get the camera!" With that said, I began to try to open the doors to my
wife's new Saturn, but this was only the second time I'd driven her vehicle, and suddenly
I was faced with the reality that I did not know how to unlock the doors! In a frenzy that
had developed from the unexpected sighting of my rock idol, and my worry that at any
moment the planets would misalign themselves and my chance to meet Paul would be gone
forever, without even thinking really, I began to throw my body weight against the door,
shouting "It won't open, where's the damn locks?" My wife, Joan, caught up in
the excitement of the moment herself, began to laugh at my helplessness and promptly
released the lock buttons to the car doors. I literally tumbled out of the driver's side
from the force of my momentum, but then quickly regained my composure and walked around
towards the back of the car.
I quickly surmised that I must implement my strategy to meet Paul Rodgers, but then
realized I had no strategy! I didn't want to rudely invade his privacy and conversation by
just walking up and jumping right in, especially in this day and age in a barren lot when
I might possibly startle him into thinking I was some kind of rock and roll celebrity
stalker. And hadn't I read somewhere that Paul had a black belt in one of the martial
arts, and was a bit ill tempered to boot, which might result in an accurately placed kick
that might relegate me to singing a soprano part in a church choir forever! Yes, all kinds
of thoughts were fleeting through my mind as to what I should do, knowing that this
opportunity would probably never materialize again. But suddenly, Paul looks over and does
a little double-take, recognizing his face emblazoned on my black Paul Rodgers NOW shirt
(the only shirt that I've EVER bought at a concert in my life!) and says with a smile,
"Hey, nice shirt!" In all honesty, at that particular moment, in a setting and
situation that I can only describe as surreal, I have no recollections as to what the
first words were to leave my mouth. Luckily for me, my wife had the presence of mind to
jump out of the car and ask if she might take a picture of Paul and I together. Paul
politely agreed, and with that the other gentleman took it as his cue to disappear. So
Joan and I approached Paul, shook his hand, and I mentioned that we'd driven from
Indianapolis to see him perform. My wife then proceeded to tell Paul what a huge fan I
was, and how when we first met I made it my personal crusade to familiarize her with ALL
of Paul's music, as I've always considered him the "finest" singer in rock. She
even mentioned that we had one of his songs played at our wedding reception for our first
dance together. This piqued his interest enough to ask, "Oh really, which one was
that?" Unfortunately, I was somewhat ashamed to have to admit that it wasn't one of
his compositions, but his rendition of Hendrix's "Little Wing" - but what a
rendition it is! As my wife began to ready the camera - wouldn't you know we forgot to
bring our real camera and had stopped for the disposable variety - Paul obligingly asked
what location we would like for the background of our picture. I told him the choice was
his. I was too stunned to really comprehend the stroke of timing and good luck that I'd
just experienced. He looked around for a moment, commented on the beautiful evening sky
that was beginning to paint its way across the horizon, and then pointed to a long wall
that was covered with artful graffiti. He said he liked the wall and chose it because he
thought it showed the "local color." We walked over to the wall together, stood
side by side, and quite coincidentally I might add, struck nearly the same pose,
positioning our hands on our hips and smiling at the camera while my wife recorded my
monumental moment in the sun. Paul responded by saying he thought he'd blinked, and not
knowing whether he was kidding or not, she asked to take another picture just so we could
be on the safe side. At this moment I must confess that I was feeling PDC (pretty damn
cool!) and just in utter disbelief at how fate, if it can be called that, was smiling down
on me tonight. After thanking him and telling him we knew he had other things he needed to
attend to, we shook hands again and I wished him luck on the remainder of his tour. I
stood there for a moment trying to make sense of what had just happened, and was basking
in the glow of having met my first real music celebrity and favorite musician/singer of
all time. I couldn't have written a better script myself, and not for one moment could I
have imagined that just by sheer timing and luck, that I would happen to run into Paul
Rodgers, all alone in a deserted parking lot with not another soul around, and actually
get to talk to and take pictures with the most soulful rock singer on the planet! It was
just so incredibly cool that I still find it somewhat hard to believe that it happened the
way that it did. The next time I hear that "voice" come blaring out of the
stereo singing, "It's all part of my rock and roll fantasy," it will definitely
conjure up images of a night that was meant to remembered.
London, England - February 1997
Review by Lucy Piller
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R E V I E W S
September 4, 1998
Little Rock
September 1998
Nashville
August 1, 1998
Caruthersville MO
July 24, 1998
Branson MO
June 18, 1998
Seattle
June 1998
Ohio
June 1998
Chicago
February 1998
Seattle
February 1998
Bellingham WA
17 January 98
Vancouver, Canada
Rock & Roll Fantasy
Jack Monninger
meets Paul Rodgers
February 1997
London, England
Concert
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2001
Concert Reviews
2000
Concert Reviews
1999
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